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~ an on-line fashion, design and arts magazine exploring topics of cultural interests from historical reference to current trends

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Tag Archives: flamboyant fashion

A blast from the past: that ’80s show … thanks to the Boy (George, that is!) and Culture Club

13 Tuesday May 2014

Posted by meappropriatestyle in distinctive hair styles, diversity in fashion, diversity in images of beauty, hats, headwear, music influence - fashion

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Tags

'80s inspired fashion, '80s music, 'It's a Miracle' - song, Boy George - Culture Club, Boy George- braids, diversity in images of beauty, flamboyant fashion

A Walk down ‘Fashion and Music Memory Lane’

’80s style

with the Boy and his Crew

…

the hats

the hair

the clothing

the make-up

Genius!

…

Rumour has it that they’re set to make a group come back!

I for one hope that rumour becomes reality.

…

Boy George and Culture Club

back in the day

(image from dailymail.com):

culture club dailymail.co.uk article-0-0011FEF000000258-954_233x341

…

(image from gigwise.com):

culture club gigwise.com 2548478_boygeorge1

…

Remember their 1983 hit  ‘It’s a Miracle’ 

from The Colour by Numbers album? –

Pure ’80s Gold:

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Power dressing: roaring in the 1920s

11 Tuesday Jun 2013

Posted by meappropriatestyle in accessories, design inventive, design philosophy, fashion cultural reference, fashion fun, fashion historic reference, hats, history notes, hosiery, movie costume - fashion influence, retro-spection, trouser fashion, womenswear

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Tags

1920s fashion, bobbed haircut, F. Scott Fitzgerald, fashion and film, fashion as social statement, flamboyant fashion, flapper fashion, revolutionary fashion, The Great Gatsby

The recent screen adaptation of F. Scott Fitzgerald’s novel

The Great Gatsby

(published in 1925)

has rekindled our love affair with fashion from the

 frolicking, fiery, fabulous

roaring ’20s.

The movie stars Leornardo DiCaprio as Jay Gatsby and

Carey Mulligan as Daisy Buchanan.

…

(image from thestar.com):

…

It is a visual feast, set in an unparalleled era in America history:

from fashion to politics and everything else in between.

The costumes worn in the film, convey the liberating forces at work during this

dynamic period of social transition, which was championed by women.

…

(image from stagebeauty.net):

Previous to the Gatsby years of the mid ’20s, there

flourished an ideal image of beauty  …

the Gibson Girl.

Greatly admired during the late 19th to early 20th

century for a waif-like waist, S-curved form, full-

length skirts, long hair piled high,

corseted, bustled, ruffles and bows …

 Camille Clifford, actress and model for Gibson Girl illustrations

 

…

As the light of the Gibson Girl gradually faded, a New Woman emerged.

Unlike the Gibson Girl who was quietly predictable in dress and decorum,

this New Woman of the 1920s roared with a

force that was heard in the public arena:

in the workforce

at political rallies

in college classrooms

in suffrage demonstrations

on athletic fields

…

(image from officemuseum.com)

…

(image from americancivilwar.com):

…

(image from sozmoretumblr.com):

…

With the dawn of this new progressive era,

which saw women granted the vote in 1920,

fashion predictably reflected these liberating social changes.

Hemlines were raised, fluctuating from knee

to ankle length as trend dictated.

The accentuated waist disappeared,

freeing women of the  debilitating hourglass corset.

…

The garconne (French for boy) look became the rage:  shift-like drop-waist dresses,

with belts worn at the hips and bras underneath which flattened the breasts.

Hair was worn short in the new bobbed cut and nestled neatly under a cloche hat.

Dress was comparatively comfortable and oozed sleek sophistication, which was

punctuated  with colour, pattern and texture.

 

…

 

(image from slideshare.net):

…

As legs and feet were now on permanent display,

hosiery and shoes took on an elevated status

 and were colour coordinated to the outfit worn.

…

Trousers were also referenced as an integral piece

of the New Woman’s wardrobe.

…

(image from movpins.com):

The actress Elizabeth Debicki

in her role as the character Jordan Baker  (The Great Gatsby)

wearing  brown palazzo trousers

…

(image from intheseams.com):

During the war years (WWI -1914 – 1918),

many women worked in factory jobs, left vacant

as men were shipped off to war.  These women wore

trousers in the workplace and appreciated

its comfort and ease.  The revolutionary French designer

Coco Chanel (1883 -1971),

who frequently wore men’s trousers, designed casual-wear

trousers for women.  The trouser for women quickly went

from factory garb to fashion statement … Voila!

Above: Coco Chanel, feminist fashion maverick

…

Yet this was not enough for this heady scene.

Raised hemlines, trousers, bobbed haircuts …

what more could best encapsulate ’20s dress?

Ah yes…

Flapper Fashion

the New Woman had made her sartorial mark .

…

(image from womenfrom1920s.wikispaces.com):

…

F. Scott Fitzgerald aided in the popularisation of the term flapper.

He described her as, “lovely, expensive and about nineteen.”

Flappers were young women who unlike their

Gibson Girl predecessors, shockingly challenged conventions.

There seemed nothing restrictive about her

in dress or attitude.

Her clothes were shown to advantage in movement … and moved she did

on the dance floor to the latest jazz tunes.

 

…

The 2013 cinematic release of The Great Gatsby allows us

to contemplate once more – the power of fashion.

Fashion can well define a generation:

what it is rebelling against and what it is advocating for.

…

(image from beaubehan.com):

The Great Gatsby

(now in cinemas)

…

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Rock a rococo … meet Edward Meadham and Benjamin Kirchhoff

15 Friday Mar 2013

Posted by meappropriatestyle in colour, design inspiration, dress = ensemble, emerging designers, fashion fun, fashion historic reference, inspiration, Meadham Kirchhoff, runway presentation, runway show, womenswear designers

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Tags

design inspiration, flamboyant fashion, Meadham Kirchhoff, rococo fashion, rococo inspired, spring/summer 2013

Design duo Edward Meadham and Benjamin Kirchhoff

Edward Meadham and Benjamin Kirchhoff, image from farfectch.fr

 punctuated their S/S 2013 collection with

a rock and roll spin to rococo style.

The decadent playfulness synonymous

with the 18th century French artistic movement,

was in full evidence in the Meadham Kirchhoff runway show …

decorative

irreverent

humorous

flamboyant

A modern rococo extravaganza

…

Merci beaucoup, Messieurs Meadham et Kirchhoff

meham-kirchhf-spring-summer-2013-lfw15 meham-kirchhf-spring-summer-2013-lfw5 meham-kirchhf-spring-summer-2013-lfw3 meham-kirchhf-spring-summer-2013-lfw23

 

…

(Meadham Kirchhoff S/S 2013, images from fashionising))

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