Cherry blossom pink hair: colour by Nature’s design for Spring 2015


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As the last of the winter winds blow through,

there remains still a chilly nip in the air.

Yet nature’s Spring colours bloom defiant,

heralding warmer weather to come.


Purple croci, yellow daffodils and pink-cherry blossoms

are gradually more in evidence:

the vibrant signs of approaching Spring.


Spring colours in full bloom

(image from

spring colours, purple croci,

Purple croci

(image from the

spring colours, yellow daffodils

Yellow daffodils

(image from the

spring colours, cherry blossom pink

Cherry blossom pink



Say good-bye to Winter shades.

Take a cue from Nature and

welcome Spring hues.

Why not consider a cheery change of hair colour:

cherry blossom pink.


Now that should warm you up.


Make it a Spring Thing

 Cherry blossom pink, Hair colour statement



(images from

cherry blossom pink hair, runway, louis vuittoncherry blossom pink hair, louis-vuitton-fall-2015

On the runway

model, Fernanda Hin Lin Ly

(Louis Vuitton, a/w 2015)

cherry blossom pink hair

model, Marjan Jonkman

cherry blossom pink hair, gucci model, marjan jonkman style, a15GUC_0487

Marjan Junkman

on the runway for Gucci collection, a ’15

(image from

cherry blossom hair, helen-mirren, -384552

Pink pixie cut

British actress, Dame Helen Mirren

(image from

cherry blossom pink hair, men

Colour equation

pink + blue = hair + eyes



(image from the


cherry blossom pink hair, actress, january jones

A subtle nod:  pale pink

American actress, January Jones

(image from

cherry blossom pink hair

With a blush of lavender

Patchy Cake Eater: serving up menswear fashion fun for a/w 2015


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Patchy Cake Eater

is a menswear label, launched in 2012 by Japanese designer

Shigeki Morino.

(image from

designer, shigeki morino, patchy cake eater

designer Shigeki Morino (l) and his assistant Soichiro Nakagawa (r)

The label name is indicative of the collection presented

at Tokyo Fashion Week,  a/w  2015-

patchwork fabrication, emotive of a feel good from ‘cake effect’.


The design aesthetics is an unique interpretative of a gender focus on fashion:

“(creating) the masculinity that a woman wearing men’s clothes exudes,

and (applying) it back to men’s fashion.”

It is a modern label with a modern design vision

which manages to be readily translatable from

runway fashion to everyday wear.

When asked at interview if he had any advice for other emerging designers,

Mr. Morino offered insight from his observations of recent runway presentations:


“… if I had to say one thing, it would be that some men’s runway shows here are deviating too far from something wearable. There has to be a balance between entertainment and what is represented should be able to be worn on the street.”

(quote from

Patchy Cake Eater

chromatic, tailored, fashion fun

Tokyo Fashion Week,  a/w  2015

(images from

tokyo, a15, men, coat, patchy cake eaterrunway_00030_xtokyo, a15, coat, men, patchy cake eater runway_00020_xtokyo, a15, coat, men, patchy cake eater runway_00060_x

textural, colourful

tokyo, a15, men, patchy cake eater, blanket, outerwear, runway_00130_x

tokyo, a15, men, patchy cake eater, blanket, outerwear, runway_00140_x

patterned planket

tokyo, a15, men, patchy cake eater, pink b jacket, runway_00160_x

carnation pink baseball jacket

tokyo, a15, men, patchy cake eater, shrunken suit runway_00220_x

tokyo, a15, men, patchy cake eater, shurken suit, runway_00170_x

shrunken suiting

Accessorise me! : Ear chains


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Accessories add the culminating elements to a well-coordinated look.

Sometimes a unique item shouts as the main feature

with clothing as quiet background-

creating a signature look, which centres on a signature piece.


Accessorise Me

in the Spotlight:  Ear adornment


This gold ear link chain is definitely the stand out piece

 against an all black outfit.

(photo by Eva al Desnudo)

street, men, accessories, ear chains, photo by eva al desnudo

All connected

and he wears it well

WeWood Watches: eco-friendly timepieces


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An unique accessory piece can define a fashion look

and even make a social statement.


Launched in 2010

Italian label,  WeWood  designs watches which

meets both descriptions:

beautifully crafted and eco-responsible.

The WeWood timepieces are made from bits of salvaged wood.

(images from

wewood, modelled

The company is in sentiment with

the sustainability in fashion movement which advocates for:

environmental and social responsibility in the production process.

WeWood partners with organisations such as

American Forests  and Trees For The Future-

pledging that for every WeWood watch bought,

a tree will be planted in the local of purchase.



There is both a ladies line and a men’s line;

though, for the most part, the pieces are uni-sex wear.





 The Collection

For him

wewood waches, him, light colour

Metis beige

wewood, him jupiter, brown army

Jupiter brown/army

wewood, him, date, army

Date Brown/Army


we wood, him sitah chocolate

Sitah Chocolate



wewood, watch, back

wewood watch, front

For her

wewood, her, moon crystals, black

Moon crystals black

wewood, watches, her, kale beige/pink

Kale beige and pink


wewood, her, moon brown

Moon brown


we wood, her, mimosa army

Mimosa army


Over the top (hat) narrative: designer Takeo Kikuchi presents at Tokyo Fashion Week, a/w 2015


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With over thirty years of design experience ‘under his hat’

Japanese menswear designer

Takeo Kikuchi

expertly creates clothing for the man of

fashion daring, wit and whimsy.


(image from

takeo kikuchi, designer, portrait

designer, Takeo Kikuchi

Mr. Kikuchi’s  a/w 2015 collection

recently presented at Mercedes Benz Tokyo Fashion Week-

was a study in fanciful suiting

topped off with statement , story-telling headwear.

 ‘Over the top’ Hat narrative

by designer Takeo Kikuchi

for Tokyo Fashion Week, a/w  2015

(images from

takeo kikuchi, a15, menswear, ten gallon hat

Broad-brimmed ten gallon Stetson

takeo kukichi, a15, men, hats, cool cowboy

Cool cowboy

takeo kikuchi, a15, men,hat, artful dodger

takeo kikuchi, a15, hat, men, artful dodger

Dickensian character

  meet the Artful Dodger

takeo kikuchi, a15, men hats

tokyo, a15, men, hats, runway takeo kikuchi, degaulle _00400_x

Marching off to the beat of a different drummer

military kepi

oversized peak, gold chain detail

takeo kikuchi, a15, men, hats

Summer tour on the Continent

the sunhat

takeo kikuchi, a15, men, hats, gangster stripes

Gangster stripes

takeo kikuchi, a15, men, hats, puff peak cap

At the masquerade

puff peak cap

takeo kikuchi, a15, men, hats, german helmet

tokyo, a15, men, runway, takeo kikuchi, hitler helmet _00070_x

German stahlhelm take, WW2

takeo kikuchi, a15, men, hats, beret


Mais oui:  the artist, the beret

tokyo, a 15, mens hat, runway takeo kikuchi, _00370_x

In black leather

wedding party pageboy

Musical Interlude: It’s officially Spring! and it “Feels So Good”, jazz instrumental piece by Chuck Mangione


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Flugelhornist Chuck Mangione

released his jazz album Feels So Good in 1977.

The instrumental title track was an immediate success.

It reached number 4 in the U. S. charts and

number 2 in the Billboard Albums Chart (1978).


(image from

chuck mangione, album cover, feels so good,

Chuck Mangione

jazz musician, flugelhornist


During the Spring of 1978

the Feels so Good tune

wafted across many a U. S. college campuses.


Spring 2015 has sprung-

and once again, it “Feels so Good”.

Live performance

Feels So Good



Renaissance man, Matthäus Schwarz: the first fashion blogger


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Roughly chronicled on the historical timeline

as a period marked from the 14th to the 17th centuries,

the Renaissance amounted to a high point of European civilization.

Translated to mean  a “rebirth”,  it is considered a cultural movement

which commenced in Italy, eventually spread throughout Europe

and bridged the divide between the medieval period

and that of the early modern era.



The Renaissance seemed a time of energised activity and new perspectives:

of intense study of the past and innovation for the future.

It was characterised by keen enthusiasm for

knowledge of classical history of the ancient world

exploration of the New World

urbanisation and the growth of cities

manufacturing and invention.

It was a time of the established great and grand

as well as the rise of the social climber.

It was a time of magnficientia .



As commerce in cities steadily soared,

there were many opportunities for money-making ventures.

Prince, courtier, merchant- all had the means for displays of wealth

and went to some lengths to ensure that all knew.

Magnificentia was key to this Renaissance attitude-

that of conspicuous expenditure.

Some financed the construction of public buildings.

Others bought works of art for private collection and

 there were those who spent their acquired wealth on looking fabulous.

Matthäus Schwarz (1497 – 1574)

was a German accountant who worked for the Fugger family,

a prominent German mercantile and banking house.

From an early age Schwarz was captivated by fashion.

He spent most of his income on clothes

and on chronicling himself attired in his garments.

It would seem that Herr Schwarz was the first recorded “fashion blogger”-

an accountant by trade and a serious sartorial stylisto by vocation.

matthaus schwarz, portrait, by hans maler

Matthäus Schwarz

by German portraitist,  Hans Maler

For forty years, 1520 – 1560, he commissioned watercolour paintings

of himself in various fashionable outfits.

His first watercolour “fashion sitting” was at the age of 23.

Sumptuary laws,

(which dictated what a person could and could not wear

given their social rank)

put some restrictions on the range of Herr Schwarz’s ensembles.

Yet, he did manage to acquire an enviable wardrobe,

which reflected his sense of fashion innovation.

(image from

matthaus schwarz, 29 1/2 yrs old,

Matthäus Schwarz

At 29 1/2 years old


Herr. Schwarz had his his forty years of  “selfie” watercoulour fashion images

bound into a book, titled Klaidungsbüchlein (Book of Clothes).

It is probably the first book on personal style and fashion-

of an evolution of self expression and identity through clothing worn.

The book is of interest to scholars as source material to

images of Renaissance dress.

Matthäus Schwarz

An outfit for every occasion

(image from

matthaus, schwarz, in fur and red tights

From the back

wearing fur and red tights

(image from

matthaus schwarz, archer

As archer in a suit of yellow/grey ruffles

with colour alternating hosiery

(image from

matthaus schwarz, lute

With lute in an embroidered lilac tunic with gold details

cinched at waist with matching hose

matthaus schwarz

In wide brimmed hat, embellished top, tiered breeches and solid tights

matthaeus schwarz, nude, bbc,_68040084_newnude464

In the nude

back and full frontal

(Body appreciation without the trappings of clothing.)

Matthaeus Schwarz
Red as go to colour statement

(image from

matthaus schwarz

Black/white coulour story:  a young Schwarz with falcon (l)

Black ensemble with a peek of red:  an older Schwarz (r)

(image from

matthaus schwarz on horseback

On horseback in an outfit of puff sleeves and full pleated skirt

(images from

mathhaus schwarz, with sword

With sword

matthaus schwarz

At work and play

Matthaus Schwarz

At the ready

in armor attire


Only two books of Klaidungsbüchlein (Book of Clothes) were made-

the original and a copy.

The readership was limited to a select few of the author’s choosing.

Through the generations, the books had remained in the possession of

Herr. Schwarz’s descendants.

The original is now in the Herzog Anton Ulrich-Museum

in Braunschweig, Germany


For further reading on Matthäus Schwarz and Renaissance dress, have a look at:

Dressing Up: Cultural identity in Renaissance Europe

by Professor Ulinka Rublack, Cambridge University

Denim dresses dilemma solved, Spring 2015


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Denim fashion has evolved well beyond

pairs of jean trousers as staple garment.

Total look denim-on-denim wear

has achieved full status as an on-trend sartorial choice-

and this does not seem to be abating any time soon.

With the advent of Spring 2015, why not consider

investing in a denim dress to suit a desired style objective.


A few DD (denim dress) options

(images from

denim dress, karen walker, s 15, tiered top, flounce

Denim hues, need not be blue

black, sleeveless, boat neck

flounce tier dress with gathering and at pocket

from Karen Walker, ss ’15

denim dress, stella mccartney, s15

The more pockets, the better

long sleeved, front pocket detail, gathering at waist culotte

by Stella McCartney, ss ’15

denim dress, veronique branquinho, s15

A new look on the prairie

maxi length skirt, deconstructed shirt

by Veronique Branquinho, ss  ’15

denim dress, s15, gucci,

Lace up

kimono sleeves, with lacing to front and sides

from Gucci, ss ’15

denim dress, ss 15 gucci

All buttoned up

top:  yoke detail with gold buttons

skirt:  stylized belt loops with gold buttons

from Gucci, ss ’15

(images from asos):

denim t shirt dress, asos

Denim t-shirt dress

calf length, front slit, body skimming

from ASOS

Favlook – Lookfav Focus Favourite

denim dress, from weekday,

Total comfort factor

loose fit, side slits, asymmetric hem, V-neck

from Weekday

Mark your diary! : the exhibition, ‘Inventing Impressionism’ opens at The National Gallery, London


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Impressionism is today, a widely recognised and celebrated art movement.

Developed in late 19th century France by then avant garde artists, including:

Claude Monet, Auguste Renior, Edouard Manet,

Camille Pissarro, Alfred Sisley-

impressionism depicts images of everyday life, of landscape, of the familiar.

It is this characteristic of ready accessibility which has proven

key to its lasting popular appeal.


(images from timeout magazine):

inventing impressionism, the galettes by monet, 1882

The Galettes (1882)

by Claude Monet

The impressionists often completed their paintings

“en plein air”  (in the open air),

capturing an effect of natural light and colour

with bold brushwork of rapid, visible, paint application.


inventing impressionism, the bridge at villenueve-la-garenne, 1872, time out image

The Bridge at Villenueve-La-Garenne (1872)

by Alfred Sisley

These features of subjects of the mundane, of textural paint techniques

and of study and painting achieved outdoors,

were considered quite revolutionary and harshly critiqued.

At the inception of the impressionist movement

the established art world was hardly impressed.

Yet one man, French art dealer Paul Durand-Ruel

championed these novel artists.

(image from timeout magazine):

Inventing impressionism, portrait, paul durand ruel by renior

Portrait of Paul Durand-Ruel  (1910)

by Pierre- Auguste Renior 

An astute entrepreneur, M. Durand-Ruel

was unwavering in his support,

which eventually yielded  success.

(image from

inventing impressionism, paul durand-ruel,

M. Durand-Ruel

Utilising his galleries in Paris, New York and Brussels

and other venues worldwide-

M. Durand-Ruel organised numerous exhibitions

to showcase the works of his artists.

Even during bouts of personal financial difficulties,

M. Durand-Ruel routinely provided his artists with monetary assistance.

Amassing quite a collection of their works,

he was a staunch believer of the impressionist interpretive.

The National Gallery, London presently hosts the exhibition

Inventing Impressionism.

The show is a nod to the M. Durand-Ruel’s

steadfast belief in the eventual value of impressionist paintings

as both artistic merit and monetary worth.

The exhibition brings together over 85 impressionist paintings

which were once part of the Durand-Ruel extensive inventory

 and are now held in private hands or museum collections.

(image from the

Inventing impressionism, popars in the sun, 1891, claude monet, theguardian 516ff4dc-fb68-46d4-bd77-87d20d82369c-800x1020

Poplars in the Sun (1891)

by Claude Monet

(images from timeout magazine):

inventing impressionism, the thames below westminster, 1871, claude monet, time outimage

The Thames Below Westminster (1871)

by Claude Monet

inventing impressionism, fox hill, upper norwood, 1870, camille pissarro, time out image

Foxhill, Upper Norwood (1870)

by Camille Pissarro

inventing impressionism, music in the tuileries gardens, 1862, edouard manet, time out image

Music in the Tuileries Gardens (1862)

by Edouard Manet

(image from the
inventing impressionism, boy with a sword, 1861, edouard manet, the guardian 9812d722-5d4f-4b1b-8542-a2c0eefcdd40-729x1020

Boy with a Sword (1861)

Edouard Manet

(image from timeout magazine):

inventing impressionism, woman at her toilette, berthe morisot, time out image

Woman at her Toilette (1875 -1880)

by Berthe Morisot

(image from

inventing Impressionism, horses before the stands, edgar degas, 1866 -68 art

Horses Before the Stand (1866 – ’68)

by Edgar Degas

(image from timeout magazine):

inventing impressionism, the ballet class, 1880, edga degas, time out image

The Ballet Class (1880)

by Edgar Degas

Inventing Impressionism is a show, which offers additional opportunity

to view beautiful paintings by truly masterful painters-

a sentiment  M. Durand-Ruel always believed of his artists and their works.

Inventing Impressionism

at The National Gallery, London

until 31 May 2015


For additional details, visit:



She said what?! : quoted from Dorothy Parker


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She said what?!’

a new item to meappropriatestyle

featuring statements from outspoken women:

opinions, outlooks, observations

which they were more than willing to share.


American writer Dorothy Parker:

poet, short story writer, satirist, activist

contributor to Vanity Fair Esquire, The New York (which she help found)-

was actively engaged in the social issues of her time:

equality, freedom, civil liberties.

(image from

she said what?!, dorothy parker at work

Dorothy Parker, at her craft

Known within the New York City literary circuit (and further flung)

for her scathing wit, sharp remarks and barbed retorts-

she was a woman of fierce talent and spirit.

She wrote and said what she thought/felt.

Admired by friends and critics alike, her writings/comments were

provocative, never sugar coated, sometimes bitter to swallow

and worth a moment to ponder.



A “She said what?!” quote by

Dorothy Parker (1893 – 1967)



she said what, dorothy parker, beauty skin deep 2, letterarypresscom C454


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